bestor interview p 7
 
gold curved corner
KACC logo rice and wheat on horizon
gold curved corner
KACC Home Kansas China Japan Korea
Agricultural
Products
Trade
History
Food
Cultural
Expression
Interviews: Authentic Voices
Resources
About Us logo and link to about us page
 


Authentic Voices:
Conversations on Food and Agriculture

 
Dr. Ted Bestor

Bringing Home the Sushi: Food as a way of understanding each other's livelihoods

Interview with Theodore C. Bestor
Professor
Department of Anthropology and Reischauer Institute for Japanese Studies
Chair of the Social Anthropology Wing, Department of Anthropology
Harvard University

By Norma Sakamoto-Larzalere
October 28, 2004

 

Theodore C. Bestor is Professor of Anthropology and Japanese Studies at Harvard University, and is past president of the American Anthropological Association’s East Asian Studies Section and the Society for Urban Anthropology. His many publications include: “Neighborhood Tokyo” (1989),” Doing Fieldwork in Japan” (co-editor, 2003), and his most recent, “Tsukiji: The Fish Market at the Center of the World” (2004). His current research looks at the development of Japanese food culture and his ongoing project on “Global Sushi” examines the “global reach” of Japanese seafood markets, their impact on markets and fish industries, and the popularity of sushi and other types of Japanese foods..

1. Background

2. Neighborhood Tokyo: Miyamoto-cho

3. Tokyo's Tsukiji: The Fish Market and the Center of the World

4. Japanese Food Culture: Looking at Sushi as a Japanese Food and Icon

5. Issues of Food Safety and Hygiene

6. Lessons to be Learned from the Field: Linking Kansas with Japan

7. Concluding Thoughts

Concluding Thoughts

L: My last question—what advice would you give to budding researchers and scholars?

B: Be patient. One of the things I’ve come to realize is—and it sort of came out in the things I was saying earlier that you were asking me—is the role of chance, the role of luck. People introducing you to things. If you’re interested in a foreign culture, you’d have to set aside your preconceptions of what the connections are. It’s only by immersing yourself in the unknown, and letting people point you in different directions, that you’ll find out what’s important to them.

L: It’s the scary part of fieldwork, but also the fun part.

B: It’s the fun part of fieldwork. If I ever reached a point that I felt that going to Japan was utterly predictable, then I’d probably want to do something else. Because what is always interesting is the unexpected connection of the place—where I think I’m looking at family businesses and suddenly people say you should actually be looking at the fish or you should be looking at the sushi. And where they will be pointing me next—I don’t know.

L: You started as a fifteen-year-old, living in Japan--who would think you would end up doing research on Tsukiji. And even thirteen years earlier, you had been introduced to the market but didn’t think of doing your research on Tsukiji at that time.

B: Right. Like many things, a fascinating experience that I tucked away in the back of my head. I’ve been putting things in the back of my head long enough now that pulling out the connections is sort of the fun part. It’s like rummaging through an old filing cabinet, and finding something [and thinking], “Oh, that’s interesting! What connects to that?” The most important thing is to stay open to new experiences and listen to what people tell you.

L: And be patient.

B: Yes--be patient.

L: Thank you very much. I enjoyed talking with you.

B: Thank you very much.